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San Francisco Cello Quartet

 

The SFCQ was formed in 2014 by the Juilliard school alumni cellists in the Bay Area. The mission is to share the classical music to all generation with unique theme stories. The group's repertory range is from the baroque to contemporary, classical to popular music.

 

Amy Hsieh, Jihee Kim, Vicky Wang, Sarah Hong (photo: from left)  

 

Cello Quartet

 

Traditional String Quartet

Although, any combination of four stringed instruments can be called a string quartet, the term usually denotes a musical ensemble that consists of two violins, one viola, and one cello.

String Quartets became popular in the late 1700's after famous composers, such as Haydn, began composing hundreds of works for them. Because of their small instrumentation, they are able to play indoors and outdoors without so many restrictions. 

 

Cello Quartet is a unique group comprised of four of the same instrument, Cello.  Because of cello's wide range and varieties in tone colors, it plays as an string chamber group for a wide range of music with very well balanced combination of sound. 

 

 

Sound characteristics

 

Mellow, warm, sonorous, full, clear, brilliant, vibrant, singing, bright, lustrous, stately, lyrical, cantabile, thick, weighty, powerful, silky, lively, incisive, eloquent, transcendental, supernatural, sensuous, calm, round, pure, muffled, dark, open, sustaining, solemn, wafting, gentle, sweet, veiled.

 

The cello possesses a wide variety of differing tone colors and means of expression, ranging from the calm and solemn in the lower register to bursts of passion in the uppermost register. Its underlying character has often been compared with the male voice. The transition between registers is smooth, although it cannot be denied that the individual strings have their own character, as they do on the violin and viola too.

Basically, the cello is something of a split personality; one the hand it plays the part of the solid, reliable bass instrument; on the other hand it aspires to the passion of a heroic tenor.

 

Sound characteristics of the individual strings

 

C string (C2–F3)
This string sounds weighty, dark, powerful. Its darkly powerful sound makes it highly suitable for performing a sonorous fundamental bass.

G string (G2–C4)
This string lacks the power and sustaining quality of the bottom string and is used to carry the bass voice. Suited to softer tonal effects. Resonant pizzicato on the C and G strings.

D string (D3–G4)
The D string is often described as the most musical and soulful and without doubt has the most pleasing sound. Used to play soft, silky, intimate, warm and lyrical cantilenas. Its weighty clarity is virtually unsurpassed.

A string (A3–A5, A7)
This string has a bright, penetrating, shrill, incisive and dominant sound.

from Vienna Symphonic Library

 

 

 

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